23,647 Royalty-Free Audio Tracks for "Midi Files Of Opera Music"

5-16A pentachord on C

5-4B pentachord on C

5-1 pentachord on C. Chromatic pentachord.

6-38ZA hexachord on C

6-34A hexachord on C

4-3A tetrachord on C

6-40ZB hexachord on C

8-27A octachord on C

6-36ZB hexachord on C

7-4A heptachord on C

7-24A heptachord on C

10-3 decachord on C

7-25A heptachord on C

6-46ZA hexachord on C

6-43ZB hexachord on C

9-5A nonachord on C.

6-24ZA hexachord on C

7-15 heptachord on C

7-11A heptachord on C

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

6-15A hexachord on C

8-24 octachord on C

4-4B tetrachord on C

7-21A heptachord on C

3-5A trichord on C.

6-44ZA (Schoenberg) hexachord on C

6-2A hexachord on C.

8-8 octachord on C

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

D-beat drum pattern 2b.

D-beat drum pattern 3.

D-beat drum pattern 2a.

Four measure ii-V-I progression in C with Coltrane substitution.

The 'D-Beat' in musical notation.

Characteristic rock drum pattern with rimshot in place of snare

D-beat drum pattern 1.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Simple quadruple drum pattern: divides four beats into two. Created in Sibelius.

Chopin's Prelude in C minor modulates within the first three measures.

Hark! The Herald Angels Sing. 日本語: 天にはさかえ。

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

*Square root of 6 on C. √6 : 2 = 350.98 cents. MIDI pitch bend: 40,48

*Octave equivalent square root of 7 on C. √7/2 = 484.41 cents. MIDI pitch bend: 1,59

*Square root of 7 on C. √7/1 = 1684.41 cents. MIDI pitch bend: 1,59

*Square root of three on C. √3 = 950.98 cents. MIDI pitch bend: 40,48

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

Square root of 5 on C. √5 : 1 = 1393.16 cents.

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

*Square root of 6 on C. √6 : 1 = 1550.98 cents. MIDI pitch bend: 40,48